About Me
Dancer
2016-2019: Collaborated with Yoshiko Waki, Sebastian Elier, and the Deutsche Oper. Further project-based engagements followed at
theaters in Münster, Berlin, Nuremberg, Görlitz, and Vienna.
2019-2021: Member of the ensemble at Norrdans in Sweden.
Since 2021: Ongoing collaborations with La_Trottier Dance Company, Backstein Produktion Haus and Juliette Villemin.
Choreographer
2017: Solo work Unpaved Road received 2nd prize at the Netherlands Choreography Competition, as well as 1st prize and the
Audience Award for Best Dance Solo at the Euro-Scene Competition in Leipzig.
2021: Presented the solo piece Soliloquy at the ZUKUNFT TANZT Festival in Frankfurt. Continued choreographic research as part of
a residency program in Heidelberg.
2022: Premiered the trio ANIBODY, supported by LaFT BW and the City of Mannheim.
2023: Solo work 12.09.2017 performed at the Tanzbiennale Heidelberg.
2024: New creation Looking for someone to be developed in collaboration with Lake Studios Berlin and LAB Mannheim. Participation
in the Fo(u)r Exchange residency in Freiburg.
Musician
Received funding for the music project Bodytunes. Composed soundtracks for various productions, including: “Urban Mother”, “Schneller als das Licht” (Choreography: David Kwiek). Own works include: “Zusammen sind wir hier” and “ANIBODY”.
Web Developer
Currently undertaking further training in frontend development with a focus on HTML, CSS, JavaScript, and modern web technologies. Developing a personal portfolio website and exploring experimental projects at the intersection of dance, technology, and digital presentation.
Works
Colonialism : The Weight of Sound
A duet about power, violence, and silence told through sound and movement.
One figure amplifies the sounds of consumption eating, dragging, breathing while the other receives what remains: noises,
objects, pressure.
The piece reflects colonial structures through metaphor: Who is heard? Who is silenced? Who controls the narrative? The
performers' interaction reveals the tension between voice and voicelessness, dominance and survival an echo of the
historical and contemporary weight of colonial reality.
Looking For Someone To Be ShortVersion
“Who do you want to be?”
This question is not easy to answer. I've asked myself the same many times often without a clear response. But for me, the
person I ultimately want to be is my “true self.”
This journey is about discovering and embracing one's inner value and beauty rather than conforming to external expectations
or societal roles. Compromise and adaptation can become routine, but in doing so, there's a risk of losing one's essence.
The piece explores these kinds of questions and inner dilemmas. It tells the story of a person who tries to live up to the
image others have of them and loses themselves along the way.
“Looking For Someone To Be” is a reflection on our inner desires and human values. Through the solo journey of one figure on
stage, the piece invites us to rediscover the beauty and meaning of self-acceptance.
Looking For Someone To Be LongVersion
“Who do you want to be?”
This question is not easy to answer. I've asked myself the same many times often without a clear response. But for me, the
person I ultimately want to be is my “true self.”
This journey is about discovering and embracing one's inner value and beauty rather than conforming to external expectations
or societal roles. Compromise and adaptation can become routine, but in doing so, there's a risk of losing one's essence.
The piece explores these kinds of questions and inner dilemmas. It tells the story of a person who tries to live up to the
image others have of them and loses themselves along the way.
“Looking For Someone To Be” is a reflection on our inner desires and human values. Through the solo journey of one figure on
stage, the piece invites us to rediscover the beauty and meaning of self-acceptance.
ANIBODY
Is the human also an animal or has instinct long been overridden by consumption, intellect, and cultural constructs?
Can we reconnect with the animal within us, and with the wilderness? ANIBODY explores these questions through movement and
the body. It challenges us to consider whether our senses can help us rediscover instinctive behavior and whether this
instinct, often suppressed by modern life, might offer new perspectives on survival in times of climate crisis, war, and
cultural alienation.
The theme of survival runs throughout the piece from the survival of identities and ethnic groups during displacement, to
the evolutionary adaptability of animals over millennia.
The piece asks whether a return to instinct in times of crisis is not a regression, but rather a reconnection to something
original — a bodily intelligence that may not only secure survival, but also enable a new form of being.
12.09.2017
A solo piece exploring the aftereffects of trauma and the body's capacity to store memory. The work is based on the concept
of the body as a living archive a place where emotions, memories, and disturbances are recorded beyond words.
Through fragile and raw movement, the performance investigates how personal and collective trauma manifests itself in
breath, posture, rhythm, and silence.
The date 12.09.2017 remains intentionally undefined a symbol of lived experience, unresolved memory, and those formative
moments that shape us but evade linguistic explanation.
Unpaved Road
A solo piece exploring the emotional and physical landscape of uncertainty. The work reflects the vulnerability inherent in
moving forward without clear direction when the path is felt but not yet visible.
Through minimalist aesthetics and focused physical presence, the dancer embodies fragile determination.
The piece oscillates between hesitation and drive, stillness and movement—unveiling emotional layers of decision-making,
perseverance, and quiet resistance.
Politicalness
What does it mean for a body to be political? This piece investigates how political realities are not only spoken about but
also felt, lived, and carried by the body in posture, tension, and breath.
Without an explicit narrative, Politicalness explores the subtle, often unconscious ways in which political awareness
becomes embodied.
The work deliberately avoids slogans, drawing attention instead to presence and physical nuance as forms of resistance,
critique, and reflection.
Soliloquy
A solo unfolding like an inner monologue not spoken, but expressed physically.
Soliloquy reflects loneliness, inner conflicts, and the quiet search for meaning within oneself.
Without words, the body becomes the voice traversing layers of thoughts, feelings, and memories. Movements emerge and
dissolve like fleeting reflections.
The piece does not seek resolution; instead, it creates space for vulnerability and presence in simply existing.
Press
Contact
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